This radical new musical language was in part facilitated by Ligeti’s recently developed technique of micropolyphony. For much of Atmosphères. GYÖRGY LIGETI – Atmosphères – Volumina · Lux aeterna – Etüde · Etude No. 1» Harmonies«- Lontano · Ramifications – Melodien for Orchestra – Gerd Zacher. Gyorgy Ligeti was born in Transylvania in His family originated in Hungary. I discovered his music after purchasing the soundtrack for Stanley Kubrick’s.

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Oxford University Press, Also important to continuity is the lack of percussion instruments, except for a piano whose strings are brushed at the end. Some idea of how revolutionary his work was may be gained from a glance at the study score: Learn More in these related Britannica articles: The Beatles, British musical quartet and a global cynosure for the hopes and dreams of a generation that….

If you prefer to suggest your own revision of the article, you can go to edit mode requires login. Another recently acclaimed performance was that by Austria’s Gustav Mahler Jugendorchester Gustav Mahler Youth Orchestra performing in England, a performance described as “a focused reading” in which the conductor “Nott duly coerced a delicacy from each section of the orchestra—particularly the centrifugal strings—that gave a wonderful smoothness to the performance”.

According to program notes published by the San Francisco Symphony OrchestraLigeti was not pleased that his music occurred in a film soundtrack shared by composers Johann and Richard Strauss.

Return to top of page. Whilst the pitch played by each instrument remains the same for the following minute of music, there is an illusion atmosphsres harmonic progression as liget instrumental groups rise and fall in volume; listen in particular for the striking clarity of the harmony in the brass at 2: The piece heavily utilizes tone clusters of notes meaning several adjacent notes on a scale are played in which generally no two instruments ever play the same note.

Atmosphères – Wikipedia

Internet URLs are the best. A Space Odyssey—Original Soundtrack. A Space Odysseysuch as a performance by the Nashville Symphony which performed it along with the full-length version of Richard Strauss’ Thus Spake Zarathustra. From Wikipedia, the free encyclopedia. The music flows like lava, buzzes like a swarm of bees, or atmospheges like a multitude of tiny Aeolian harps.


I love whatever is constructed. August 13, at 6: Kubrick got the otherworldly, gravity-free aural effect he wanted, and Ligeti gained another armospheres and a new audience for his work.

Hardly audible as a canon, by virtue of its general pppp dynamic level as well as its density, the passage achieves the global effect of a cluster being gradually compressed from three-and-a-half octaves to the space of a minor third. The piece features “shimmering rapid vibratomultiple high glissandiwaves of string harmonics in different meters[and] notes moving along the same path but at different speeds”. Help us improve this article!

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These things liheti others arrive and leave as if of themselves. Views Read Edit View history. The listening guide is a nice touch as well.

György Ligeti: Atmosphères

Following the opening static note chord, Ligeti introduces a second massive cluster of notes lifeti 1: Instead of presenting these seminal modernist works as separate items, Jurowski segued seamlessly from the nothingness of the Ligeti’s close into the opening bassoon solo of the Stravinsky.

To be able to use Universal Edition in full range, we recommend activating Javascript in your browser. In an essay titled “Metamorphoses of Musical Form”, [19] Ligeti developed the concept of musical “permeability” according to which a musical structure is “permeable” if it allows a free atmospyeres of intervals and “impermeable” if not.

Gigantic clusters of chords hover in a stasis that negates familiar signposts of harmony and pulse.

We welcome suggested improvements to any of our articles. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind.

By using this site, you agree to the Terms of Use and Privacy Policy. You are commenting using your Twitter account. After Apparitionsit was the second piece Ligeti wrote to exploit what he called a ” micropolyphonic ” texture.

Ludwig van Beethoven, German composer, the predominant musical figure in the transitional period between…. Harald Kaufmann has described it as “acoustically standing still”, a stationary sound which has movement within it that is similar to breathing. Stanley Kubrick chose this piece and others by Ligeti for the scenes in deep space and those with the monolith in his film Indiana University Press, You will regularly receive information about new scores with free downloads, current prize games and news about our composers.


The complex and thought-provoking film was directed by Stanley…. Large portions of the piece consist of extremely dense counterpointwith up to 56 voices each string instrument has his or her own individual part to play. The contrast between these two pieces—the Ligeti a study in motionlessness, the Stravinsky a convulsive eruption of movement—was only enhanced by Jurowski’s device, making one listen with refreshed ears. Instruments enter almost imperceptibly, rising furtively from the mist before gently receding, and as such there is no concept of beginning or end, only abstracted sounds and textures hanging motionless in time and space.


Stanley KubrickAmerican motion-picture director and writer whose films are characterized by his dramatic visual style, meticulous attention to detail, and a detached, often ironic or pessimistic perspective.

The piece opens with a “fully chromatic cluster covering more than five octavesheld by strings and soft woodwinds “, out of which various groups of instruments drop out successively, followed by various “strands of sonic fabric” reenter the composition, atmoospheres white atmospheges then black notes along with shifts in timbre and duration of notes which drive the piece forward.

The popular music edition All Music Guide describes the piece as having clusters of notes from which sections fall out, leaving “masses of natural notes”. Any text you add should be original, not copied from other sources. By continuing to use this website, you agree to their use. Our editors will review what you’ve submitted, and if it meets our criteria, we’ll add it to the article. All Music Guide to Classical Music: He also valued contrapuntal writing for its probity, for its traditional aura, and for its own sake: